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Known For

Paul Morrissey is known for:

  • Blood for Dracula
    Deathly ill Count Dracula and his slimy underling, Anton, travel to Italy in search of a virgin's blood. They're welcomed at the crumbling estate of indebted Marchese Di Fiore, who's desperate to marry off his daughters to rich suitors. But there, instead of pure women, the count encounters incestuous lesbians with vile blood and Marxist manservant Mario, who's suspicious of the aristocratic Dracula.
  • Flesh for Frankenstein
    Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.
  • Flesh
    A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

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Biography

Paul Morrissey (February 23, 1938 - October 28, 2024) was an American film director, best-known for his association with Andy Warhol. Morrissey attended Ampleforth College, a private Roman Catholic boarding school and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described "right-winger", who has publicly protested against what he perceives as immorality and "anti-Catholicism", Morrissey's long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as "a successful mismatch", although both men did share some traits, i.e. both were practising Catholics from "ethnic" backgrounds (Warhol was of Rusyn descent and Morrissey is of Irish descent). Morrissey's bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case.