Bruno Barreto

In 1951, New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Mary is jealous, but unconventional Lota is determined to have both women at all costs. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet.

A small-town woman tries to achieve her goal of becoming a flight attendant.

Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of June 12th 2000, when Sandro hijacked bus 174.