Stories by @milanthaitlach399338342

Sing 2

TBA.

Minions 2

TBA.

The Lego Movie 2: The Second Part

The citizens of Bricksburg face a dangerous new threat when LEGO DUPLO invaders from outer space start to wreck everything. It's now up to Emmet, Lucy, Batman and their friends to defeat the giant marauders and restore harmony to the LEGO universe.

Prep & Landing: The Movie

TBA.

Alvin and the Chipmunks: The New York City Chipmunks

TBA.

King Kong (Sony Remake 2022)

In New York Harbor, filmmaker Carl Denham, famous for making wildlife films in remote and exotic locations, charters Captain Englehorn's ship, the Venture, for his new project. However, he is unable to secure an actress for a female role he has been reluctant to disclose. Searching in the streets of New York City, he finds Ann Darrow and promises her the adventure of a lifetime. The crew boards the Venture and sets off, during which the ship's first mate Jack Driscoll, falls in love with Ann. Denham reveals to the crew that their destination is in fact Skull Island, an uncharted territory. He alludes to a monstrous creature named Kong, rumored to dwell on the island. The crew arrives and anchor offshore. They encounter a native village, separated from the rest of the island by an ancient stone wall. They witness a group of natives preparing to sacrifice a young woman termed the "bride of Kong". The intruders are spotted and the native chief stops the ceremony. When he sees Ann, he offers to trade six of his tribal women for the "golden woman". They rebuff him and return to the Venture. That night, natives kidnap Ann from the ship and take her to their altar, where she is offered to Kong, an enormous gorilla-like creature. Kong carries Ann into the wilderness as Denham, Driscoll and some volunteers enter the jungle in hopes of rescuing her. They are ambushed by another giant creature, a Stegosaurus, which they manage to defeat. After facing a Brontosaurus and Kong himself, Driscoll and Denham are the only survivors. A Tyrannosaurus attacks Ann and Kong, but he kills it in the battle. Meanwhile, Driscoll continues to follow them, while Denham returns to the village for more men. Upon arriving in Kong's lair, Ann is menaced by a snake-like Elasmosaurus, which Kong also kills. While Kong is distracted killing a Pteranodon that tried to fly away with Ann, Driscoll reaches her and they climb down a vine dangling from a cliff ledge. When Kong notices and starts pulling them back up, the two fall unharmed. They run through the jungle and back to the village, where Denham, Englehorn, and the surviving crewmen are waiting. Kong, following, breaks open the gate and relentlessly rampages through the village. Onshore, Denham, now determined to bring Kong back alive, knocks him unconscious with a gas bomb. Shackled in chains, Kong is taken to New York City and presented to a Broadway theatre audience as "Kong, the Eighth Wonder of the World". Ann and Jack are brought on stage to join him, surrounded by a group of press photographers. Kong, believing that the ensuing flash photography is an attack, breaks loose. The audience flees in horror. Ann is whisked away to a hotel room on a high floor, but Kong, scaling the building, soon finds her. His hand smashes through the hotel room window, immobilizing Jack, and abducts Ann again. Kong rampages through the city. He wrecks a crowded elevated train and then climbs the Empire State Building. At its top, he is attacked by four airplanes. Kong destroys one, but finally succumbs to their gunfire. He ensures Ann's safety before falling to his death. Ann and Jack are reunited. Denham arrives and pushes through a crowd surrounding Kong's corpse in the street. When a policeman remarks that the planes got him, Denham tells him, "No, it wasn't the airplanes. It was Beauty killed the Beast".

The Emperor's New School

Young Kuzco looks forward to becoming emperor -- until he learns that to actually ascend to the throne, he must pass every class and graduate from public school. Banished from the royal palace and living with strangers, Kuzco learns the importance of friends and family.

Beavis and Butt-Head

Beavis and Butt-head are, as one of the early preshow disclaimers read, "dumb, crude, ugly, thoughtless, sexist, self-destructive fools. But for some reason the (boys) make us laugh." During the show -- which had a five-year run beginning in 1993 and was resurrected by creator Mike Judge in 2011 -- the dim-witted duo watch music videos and provide their own running commentary on the clips, with plenty of childlike chortling along the way. A 21st-century return allows the still-high-school-age pals to unleash their snarky, immature comments upon both music and viral videos, pop-culture phenomenon such as Lady Gaga and even MTV properties "Jersey Shore" and "16 and Pregnant."

The Ricky Gervais Movie

The Ricky Gervais Show is a comedy radio show in the UK starring Ricky Gervais, Stephen Merchant, and Karl Pilkington, later adapted into a podcast and a television series. Despite being named after the more famous Gervais, it mostly revolves around the life and ideas of Pilkington.

Game of Thrones: The Movie

George R.R. Martin's best-selling book series `A Song of Ice and Fire' is brought to the screen as HBO sinks its considerable storytelling teeth into the medieval fantasy epic. It's the depiction of two powerful families - kings and queens, knights and renegades, liars and honest men - playing a deadly game for control of the Seven Kingdoms of Westeros, and to sit atop the Iron Throne. Martin is credited as a co-executive producer and one of the writers for the series, which was filmed in Northern Ireland and Malta.

The Sopranos

New Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.

Dreamworks' Sharkslayer (2004)

The story starts with Oscar, the life of the party, engaging in banter with the fellow residents of his neighborhood. To bring home the clams, Oscar works at the "Whale Wash" alongside diminutive pilot fish. There, they scrub gigantic whales that pull up for a full-service wash like eighteen-wheelers. As the whales pull in, they press a huge eye up against the cashier's window, T-Rex style, where Renee Zellweger's gum-cracking, singing character Angie rings them up and sends them on. Then, to the tune of "Car Wash" (which is going to be updated for the movie), Oscar and his fellow employees dance about their customers, washing them clean of dirt and foam while contorting acrobatically. Oscar lives in a truly stunning environment. New York has been plunged underwater and given an enthusiastic makeover from top to bottom. Skyscrapers emit enormous plumes of multicolored coral, bathed in sunlight and home to the rich. The city itself is vertical and socially stratified: as you go lower, past the brownstones and Time Square, you arrive downtown, which really is down--at the very bottom. There, it's the rough part of the city, with graffiti everywhere. The population is as varied as it is in the real world. Throughout the underwater metropolis, cars are replaced with schools of fish, each of which has an obvious mission. Yellow checked fish are cabs, while fat tunas carrying briefcases are businessmen hurrying to work. This world also has criminals, namely the mob. Five different families rule the underworld, distinguished by their species (including Great Whites, Hammerheads and Killer Whales). Headquartered in a rusted ocean liner impaled at an obscene angle on a nearby reef (which makes for great atmospheric lighting), the Great Whites are led by their godfather, Don Lino (Robert de Niro), who is advised by a trusty consigliere octopus. All of these characters bring the city to vivid life. In this world, Oscar dreams big -- he's a player. And this gets him into trouble with the owner of the Whale Wash--and criminal--Sykes (Martin Scorsese), who comes to collect on the money lent to him for reckless bets at the track. Though small and graying around the temples, Sykes is gruff, grouchy, and when infuriated, capable of quite a display, inflating his body and spines to room-filling proportions. Oscar sweet-talks him and his rasta jellyfish lackies, fobbing them off with a promise that today, at the races, he has a fantastic tip, a sure thing. That buys him some time. Unfortunately, things don't turn out so well for Oscar. He loses his shirt, and gets roughed up in a remote part of town by Sykes's hench-jellies, who have stingers that hang like braids from beneath their rasta-cap bodies, frightening weapons that zap their victims into instant, head-nodding compliance. This entertaining scene, juxtaposing Oscar's frightened expressions with sadistic, zapping stings is interrupted when a Great White shark with something to prove -- timid, vegetarian Lenny (Jack Black), egged on by his more brutal brother (Michael Imperioli)--chases off the jellyfish and pretends to devour Oscar. The brother, seeing through the performance, goes in for the kill himself, only to get fatally beaned by a boat's anchor. The rasta jellyfish return, and draw the wrong conclusion -- that Oscar is the sharkslayer. They blab the news, and Oscar is lifted up on the city's shoulders and celebrated for his courage with rewards and adoration. Unfortunately for him, he now has the duty of protecting the city from the sharks. To pull this off, he colludes with wimpy Lenny to preserve the illusion with a dramatic play-acted confrontation. By "killing" the gentle shark, Oscar hopes to free him of his loathsome duties and allow him to go into the Witness Protection Program (dressed as a dolphin). Problem is, Oscar is also fond of Angie, the Whale Wash cashier--and she is not impressed by his scheme. If Oscar is to win her heart, he will need to act honorably. Complicating things, Lola, the gangster's moll (Angelina Jolie), is also interested in Oscar. A sexy cross between Rita Moreno's Anita in West Side Story and Jessica Rabbit, Lola doesn't just exude sex appeal -- she flaunts it. Her oversize, multicolored fins snap and sway like wind-whipped flags, drawing stares wherever she goes. Somewhat full of herself, Lola is initially drawn to Oscar when she sees him placing a considerable bet at the track, but dismissive when she learns the truth, at least for a while.