
Age: 83
male
David Paul Cronenberg (born 15 March 1943) is a Canadian film director, screenwriter, producer and actor. He is a principal originator of the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, physical, and technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983), and The Fly (1986). However, he has also directed dramas, psychological thrillers, and gangster films. Cronenberg's films have polarized critics and audiences; he has earned critical acclaim and sparked controversy for his depictions of gore and violence. The Village Voice called him "the most audacious and challenging narrative director in the English-speaking world". His films have won numerous awards, including the Special Jury Prize for Crash at the 1996 Cannes Film Festival, a unique award that is distinct from the Jury Prize as it is not given annually but only at the request of the official jury, who in this case gave the award "for originality, for daring, and for audacity". From the 2000s to the 2020s, Cronenberg collaborated on several films with Viggo Mortensen, including A History of Violence (2005), Eastern Promises (2007), A Dangerous Method (2011) and Crimes of the Future (2022). Seven of his films were selected to compete for the Palme d'Or, the most recent being The Shrouds (2024), which was screened at the 2024 Cannes Film Festival. Description above from the Wikipedia article David Cronenberg, licensed under CC-BY-SA, is a full list of contributors on Wikipedia.

Following his early retirement as a detective from the San Francisco Police Department, John Ferguson - Scottie to his friends - becomes obsessed with two women in succession, those obsessions which trouble his long time friend and former fiancée, Midge Wood, a designer of women's undergarments. The first is wealthy and elegant platinum blonde Madeleine Elster, the wife of his college acquaintance Gavin Elster, who hires John to follow her in Gavin's belief that she may be a danger to herself in thinking that she has recently been possessed by the spirit of Carlotta Valdes, Madeleine's great-grandmother who she knows nothing about, but who Gavin knows committed suicide in being mentally unbalanced when she was twenty-six, Madeleine's current age. The second is Judy Barton, who John spots on the street one day. Judy is a working class girl, but what makes John obsessed with her is that, despite her working class style and her brunette hair, she is the spitting image of Madeleine, into who he tries to transform Judy. The initial question that John has is if there is some connection between Madeleine and Judy. What happens between John and individually with Madeleine and Judy is affected by the reason John took that early retirement: a recent workplace incident that showed that he is acrophobic which leads to a severe case of vertigo whenever he looks down from tall heights
