
Age: 43
male
Daniel Jonathan Stevens (born 10 October 1982) is an English actor and singer. He first drew international attention for his role as Matthew Crawley in the ITV period drama series Downton Abbey (2010–2012). He also starred as David in the thriller film The Guest (2014), Sir Lancelot in the adventure film Night at the Museum: Secret of the Tomb (2014), The Beast/Prince in Disney's live-action adaptation of Beauty and the Beast (2017), Lorin Willis in the biographical legal drama Marshall (2017), Charles Dickens in the biographical drama The Man Who Invented Christmas (2017) and Russian Eurovision singer Alexander Lemtov in Eurovision Song Contest: The Story of Fire Saga (2020). From 2017 to 2019, he starred as David Haller in the FX series Legion. In 2018, he starred in the Netflix horror Apostle. Since 2023, he has starred as Korvo Opposites in the animated series Solar Opposites. In 2024, Stevens starred as Trapper in Godzilla x Kong: The New Empire. Description above from the Wikipedia article Dan Stevens, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There’s just one catch. Due to an antiquated clause in his grandfather’s will, Liam won’t see a penny until he’s been happily married for five years. Just when Liam thinks he’s in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he’s afraid to introduce to his one-percenter parents—his unpolished, not-so-ex-wife. But in the presence of his family, Liam’s fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.



