Age: 50
female
Charlize Theron (/ʃɑːrˈliːz ˈθɛrən/ shar-LEEZ THERR-ən; Afrikaans: [ʃarˈlis ˈtrɔn]; born 7 August 1975) is a South African and American actress and producer. One of the world's highest-paid actresses, she is the recipient of various accolades, including an Academy Award and a Golden Globe Award. In 2016, Time named her one of the 100 most influential people in the world. Theron came to international prominence in the 1990s by playing the leading lady in the Hollywood films The Devil's Advocate (1997), Mighty Joe Young (1998), and The Cider House Rules (1999). She received critical acclaim for her portrayal of serial killer Aileen Wuornos in Monster (2003), for which she won the Silver Bear and Academy Award for Best Actress, becoming the first South African to win an acting Oscar. She received another Academy Award nomination for playing a sexually abused woman seeking justice in the drama North Country (2005). Theron has starred in several commercially successful action films, including The Italian Job (2003), Hancock (2008), Snow White and the Huntsman (2012), Prometheus (2012), Mad Max: Fury Road (2015), The Fate of the Furious (2017), Atomic Blonde (2017), The Old Guard (2020), F9 (2021), and Fast X (2023). She received praise for playing troubled women in Jason Reitman's comedy-dramas Young Adult (2011) and Tully (2018) and for portraying Megyn Kelly in the biographical drama Bombshell (2019), for which she received her third Academy Award nomination. Since the early 2000s, Theron has ventured into film production with her company Denver and Delilah Productions. She has produced numerous films, in many of which she had a starring role, including The Burning Plain (2008), Dark Places (2015), and Long Shot (2019). Theron became an American citizen in 2007, while retaining her South African citizenship. She has been honoured with a motion picture star on the Hollywood Walk of Fame. Description above from the Wikipedia article Charlize Theron, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Years 1994 in New York reviews of this film, i was reminded of both good and not so good aspects of it. But overall, i have to say it is one of the better films i have seen from any number of genres or countries recently. More than anything else, it avoided many of the typical traps of more recent international cinema, like taking nice pictures of landscapes or being 'hip', 'fun' or imitating American films like pulp fiction. The film is unique in many ways. For one thing, it is a film about relationships in which sex plays no role. It is also a film about two men's relationship to each other It uses little dialogue, but communicates a tremendous amount. It is a simple story, yet full of complex details which are easily understood his names Harry Powell in their relevance. I did not find the film dark or depressing (everything would seem this way if you watch Hollywood happy ending films all the time) Harry realizes his cousin is gone is you see both his feeling of relief, that the cousin is gone and yet regret, that he pushed him away.
