By Josephine Tey
Alan Grant, a sharp but restless Scotland Yard inspector, ends up stuck in a hospital bed after an accident. Bored and frustrated, he fixes his attention on a centuries-old portrait of King Richard III. Something in the face bothers him. The official story paints Richard as a monster who murdered two young princes to seize power. Grant starts to doubt that version. From inside his room, he turns the past into a living case. He studies old reports, questions accepted truths, and pulls in help from a quick-thinking young researcher and a pair of nurses who become unexpected allies. As the evidence grows, Grant is drawn deeper into a political puzzle that stretches across five hundred years. The more he learns, the more the lines blur between fact and legend, guilt and propaganda. What begins as a distraction becomes an investigation that challenges the foundations of a national myth. The film follows Grant’s search for the truth as he moves closer to an answer others stopped asking about long ago.
Story added by sepanta_kazemi on November 26, 2025
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