Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. After a lifetime of forced instruction in the art of swindling men by her mother, Bea wants nothing more than to escape her shadow, close the door on their sordid past, and disappear safely into old-money domesticity. When Bea finds her final mark in the perfectly dull blue-blooded Collin, she’s ready to deploy all her tricks one last time. The challenge isn’t getting the ring, but rather the approval of Collin’s family and everyone else in their tax bracket, particularly his childhood best friend Gale. Going toe-to-toe with Gale isn’t a threat to an expert like Bea, but what begins as an amusing cat-and-mouse game quickly develops into a dangerous chase. As the truth of Bea’s past threatens to come roaring out, she finds herself racing against the clock to pass the finish line before everything is exposed.
