
Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Pedro Pascal

Figure in the Shadows
for Figure in the Shadows in Spider-Man: Small Changes
Suggested by castingsinmyblood

It's amazing how fast things can change. Peter's out of work, his Aunt no longer trusts him, and his relationship with Gwen is starting to get rocky. But on the upside, the people of New York love Spider-Man. Ever since rescuing people and taking down a couple of "supervillains" on public television, Peter's dashing alter ego has become the toast of the town. If only he could be Spider-Man forever. But while on a freelance job with a Daily Bugle reporter named Eddie to investigate Oscorp's possible unethical conduct, Peter finds a way he just might be able to do that. But when the spider becomes more important than the man, even the smallest of changes can have big consequences.