
Age: 50
male
Casey Affleck (born Caleb Casey McGuire Affleck-Boldt; August 12, 1975) is an American actor. He receives various accolades, including an Academy Award, a British Academy Film Award, and a Golden Globe Award. The younger brother of actor Ben Affleck, he began his career as a child actor, appearing in the PBS television film Lemon Sky (1988). He later appeared in three Gus Van Sant films: To Die For (1995), Good Will Hunting (1997), Gerry (2002), and in Steven Soderbergh's Ocean's film series (2001–2007). His first role was in Steve Buscemi's independent comedy-drama Lonesome Jim (2006). Affleck's breakthrough came in 2007 when he was nominated for the Academy Award for Best Supporting Actor for his performance as Robert Ford in the Western drama The Assassination of Jesse James by the Coward Robert Ford and starred in his brother's crime drama Gone Baby Gone. In 2010, he directed the mockumentary I'm Still Here. He went on to appear in Tower Heist (2011), ParaNorman (2012), and Interstellar (2014), and he received praise for his performance as an outlaw in Ain't Them Bodies Saints (2013). In 2016, Affleck starred in the drama Manchester by the Sea, in which his performance as a grieving man earned him the Academy Award for Best Actor. He has since starred in the dramas A Ghost Story (2017) and The Old Man & the Gun (2018) and as Boris Pash in the biographical thriller Oppenheimer (2023), his highest-grossing release. Description above from the Wikipedia article Casey Affleck, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Casey Affleck

Stefan Steć
for Stefan Steć in Shake Hands with the Devil
Suggested by benanderson

Shake Hands with the Devil is a 2007 Canadian war drama film starring Roy Dupuis as Roméo Dallaire, which premiered at the Toronto International Film Festival in August 2007. Based on Dallaire's autobiographical book Shake Hands with the Devil: The Failure of Humanity in Rwanda, the film recounts Dallaire's harrowing personal journey during the 1994 Rwandan genocide and how the United Nations failed to heed Dallaire's urgent pleas for further assistance to halt the massacre. This is my take on what the film would look like if it received a theatrical release.