
Age: 75
male
James Newton Howard is an American film composer, orchestrator and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Prince of Tides (1991), The Fugitive (1993), Space Jam (1996), The Sixth Sense (1999), Dinosaur (2000), Unbreakable (2000), Atlantis: The Lost Empire (2001), Signs (2002), Treasure Planet (2002), Peter Pan (2003), The Village (2004), King Kong (2005), Batman Begins (2005) and its sequel, The Dark Knight (2008) (both composed with Hans Zimmer), Blood Diamond (2006), Michael Clayton (2007), The Hunger Games series (2012–present), the Fantastic Beasts trilogy (2016–2022), and Raya and the Last Dragon (2021). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films and eight of Lawrence's films since I Am Legend (2007). He has also worked with other directors such as Peter Jackson, Edward Zwick, Michael Hoffman, P. J. Hogan, Paul Greengrass, Andrew Davis, Lawrence Kasdan, Joe Roth, Martin Campbell, Joe Johnston, Tony Gilroy, Taylor Hackford, Ivan Reitman, Joel Schumacher, and David Yates; conductor Pete Anthony; and violinists Bruce Dukov, and Eun-Mee Ahn.

James Newton Howard

Composer
for Composer in Senlin Ascends
Suggested by lordofcheesecakes

The Tower of Babel is the greatest marvel in the world. Immense as a mountain, the ancient Tower holds unnumbered ringdoms, warring and peaceful, stacked one on the other like the layers of a cake. It is a world of geniuses and tyrants, of airships and steam engines, of unusual animals and mysterious machines. Soon after arriving for his honeymoon at the Tower, the mild-mannered headmaster of a small village school, Thomas Senlin, gets separated from his wife, Marya, in the overwhelming swarm of tourists, residents, and miscreants. Senlin is determined to find Marya, but to do so he'll have to navigate madhouses, ballrooms, and burlesque theaters. He must survive betrayal, assassination, and the long guns of a flying fortress. But if he hopes to find his wife, he will have to do more than just endure. This quiet man of letters must become a man of action
