
Age: 60
female
Elísabet Ronaldsdóttir (born 6 July 1965) is an editor. Born in Reykjavík, Iceland, she studied at the London Film School (in Covent Garden), initially concentrating on cinematography, and graduated in 1990. Her career in film editing began by accident. After working briefly at a production company in Iceland, producing commercials and television content, she moved into editing because the schedule was better suited to raising her children. From then on, she built a long and varied career, editing a broad range of works: TV news, documentaries, reality TV, children's programming, short films, television dramas, and full-length features. She has collaborated frequently with directors such as David Leitch — on films including John Wick (2014), Atomic Blonde (2015), Deadpool 2 (2018), and Bullet Train (2022) — and with Baltasar Kormákur — notably on the Icelandic film Reykjavík‑Rotterdam (2008), which helped her transition into international filmmaking. Her editing on Reykjavík‑Rotterdam earned her recognition: the film won the national film award Edda Award for Best Editing ("Klipping ársins") in 2008. In her subsequent career, she has earned further acclaim both in Iceland and internationally. She is a founding member and served as the first chairwoman for two terms of Women in Film & Television Iceland (WIFT Iceland). She has also served on the board of the Icelandic Producers' Guild and, in 2005–2006, chaired the Icelandic Film & TV Academy. Since 2007, she has been on the board of the Reykjavík International Film Festival (RIFF). In her own words, she sees editing not just as technical assembly, but as "an interpretation of the script" and a collaborative craft that respects the contributions of everyone — actors, cinematographers, costume‑makers, stunt crews — to bring a story to life.

Police detective Clea Harrison has seen many disturbing and violent cases in the seedy underbelly of New York. She's also made many, many very powerful enemies. So when she retires to care for her wife and daughter, it comes to no surprise when she comes home at night to find the walls splattered with blood and her family missing. It could be anybody who had taken the loves of her life from her. New York has many criminals, and more that have a grudge against her. Now that she isn't a detective, she has no more protection. And neither does her family. Little do they know, Clea was a war vet before taking up detective work. And she is skilled in many, many forms of combat. Clea is a dangerous woman. And she is very, very angry.
