
Died at 41
male
Gaspard Thomas Ulliel (25 November 1984 – 19 January 2022) was a French actor. He was known for portraying the young Hannibal Lecter in Hannibal Rising (2007), fashion designer Yves Saint Laurent in the biopic Saint Laurent (2014), and for being the face of the Chanel men's fragrance Bleu de Chanel. He also voiced Jack Frost in the French version of Rise of the Guardians (2012), and portrayed Anton Mogart in the Disney+ miniseries Moon Knight (2022). Ulliel made his feature film debut in Brotherhood of the Wolf (2001), and had his breakthrough in Strayed (2003). He was nominated for the César Award for Most Promising Actor for three consecutive years for his performances in Summer Things (2002), Strayed (2003), and A Very Long Engagement (2004); winning that award in 2005 for his performance as World War I soldier Manech in A Very Long Engagement. In 2015, he earned his first César nomination for Best Actor for his performance in Saint Laurent. In 2017, he won the César Award for Best Actor for his role as a terminally ill playwright in It's Only the End of the World (2016). He became a Knight of the Order of Arts and Letters in France in 2015. His other notable works include films such as The Last Day (2004), Paris, je t'aime (2006), Jacquou le Croquant (2007), The Princess of Montpensier (2010), To the Ends of the World (2018), and the miniseries Twice Upon a Time (2019). Ulliel died on 19 January 2022, following a skiing accident at La Rosière resort in Savoie, France. Description above from the Wikipedia article Gaspard Ulliel, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered. Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
