Age: 51
male
David Kenneth Harbour (born April 10, 1975) is an American actor. He has received nominations for a Tony Award, a Golden Globe Award, and two Primetime Emmy Awards. David began his career acting in Shakespearean theatre productions. After his professional debut on Broadway in the 1999 revival of The Rainmaker, he was nominated for a Tony Award for his performance in a production of Who's Afraid of Virginia Woolf?. He made his television debut on Law & Order in 1999 and had supporting roles in films such as Brokeback Mountain (2005), Revolutionary Road (2008) and Black Mass (2015). Harbour gained global recognition for his portrayal of Jim Hopper in the Netflix science fiction series Stranger Things (2016–2025), for which he received a Critics' Choice Television Award as well as nominations for two Primetime Emmy Awards. His starring film roles include the title character in Hellboy (2019), Santa Claus in Violent Night (2022) and a former racer in the sports film Gran Turismo (2023). Harbour has played Red Guardian in the Marvel Cinematic Universe media franchise, beginning with the film Black Widow (2021). Description above from the Wikipedia article David Harbour, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman. William H. Parker is a captain on the Los Angeles Police Department. He's superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish émigré, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls - comrades, rivals, lovers, history's pawns. Perfidia is a novel of astonishments. It is World War II as you have never seen it, and Los Angeles as James Ellroy has never written it before. Here, he gives us the party at the edge of the abyss and the precipice of America's ascendance. Perfidia is that moment, spellbindingly captured. It beckons us to solve a great crime that, in its turn, explicates the crime of war itself. It is a great American novel.
