Age: 36
female
Jessie Buckley (born 28 December 1989) is an Irish actress and singer. Her accolades include Best Actress at the Oscar Academy Awards 2026 (becoming the first Irish woman to win it), a British Academy Film Award, an Actor Award, a Golden Globe Award, and a Scottish BAFTA, in addition to nominations for two Academy Awards. Buckley began her career in 2008 as a contestant on the BBC talent show I'd Do Anything, in which she came second. A RADA graduate, her early onscreen appearances were in BBC television series such as War & Peace (2016) and Taboo (2017). Buckley made her film debut with the lead role in Beast (2017), followed by her breakout role as an aspiring country music singer in the musical film Wild Rose (2018); the latter earned her a nomination for the BAFTA Award for Best Actress in a Leading Role. Buckley's career progressed with starring roles in films such as I'm Thinking of Ending Things (2020), Men (2022), Women Talking (2022) and Wicked Little Letters (2023). For her performance as a troubled mother in the psychological drama The Lost Daughter (2021), she received nominations for the BAFTA Award for Best Actress in a Supporting Role and the Academy Award for Best Supporting Actress. She gained further recognition for her portrayal of Agnes Shakespeare in the period drama Hamnet (2025), receiving a Golden Globe, a BAFTA Award, an Actor Award and an Academy Award for Best Actress. On television, Buckley has starred in the HBO miniseries Chernobyl (2019) and season four of Fargo (2020). On stage, Buckley's portrayal of Sally Bowles in a 2021 West End theatre revival of Cabaret won her the Laurence Olivier Award for Best Actress in a Musical. In 2022, she released the collaborative album For All Our Days That Tear the Heart with Bernard Butler, which was shortlisted for the 2022 Mercury Prize. Description above from the Wikipedia article Jessie Buckley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
On a bright spring afternoon in Dublin, Ciara Fay makes a split-second decision that will change everything. Grabbing an armful of clothes from the washing line, Ciara straps her two young daughters into her car and drives away. Head spinning, all she knows for certain is that home is no longer safe. This was meant to be an escape. But with dwindling savings, no job, and her family across the sea, Ciara finds herself adrift, facing a broken housing system and the voice of her own demons. As summer passes and winter closes in, she must navigate raising her children in a hotel room, searching for a new home and dealing with her husband Ryan’s relentless campaign to get her to come back. Because leaving is one thing, but staying away is another. What will it take for Ciara to rebuild her life? Can she ever truly break away from Ryan’s control – and what will be the cost?
