Age: 51
male
David Kenneth Harbour (born April 10, 1975) is an American actor. He has received nominations for a Tony Award, a Golden Globe Award, and two Primetime Emmy Awards. David began his career acting in Shakespearean theatre productions. After his professional debut on Broadway in the 1999 revival of The Rainmaker, he was nominated for a Tony Award for his performance in a production of Who's Afraid of Virginia Woolf?. He made his television debut on Law & Order in 1999 and had supporting roles in films such as Brokeback Mountain (2005), Revolutionary Road (2008) and Black Mass (2015). Harbour gained global recognition for his portrayal of Jim Hopper in the Netflix science fiction series Stranger Things (2016–2025), for which he received a Critics' Choice Television Award as well as nominations for two Primetime Emmy Awards. His starring film roles include the title character in Hellboy (2019), Santa Claus in Violent Night (2022) and a former racer in the sports film Gran Turismo (2023). Harbour has played Red Guardian in the Marvel Cinematic Universe media franchise, beginning with the film Black Widow (2021). Description above from the Wikipedia article David Harbour, licensed under CC-BY-SA, full list of contributors on Wikipedia.
David Harbour
Red Guardian
for Red Guardian in Fantastic Four: First Steps
Suggested by kingultron2
The Fantastic Four: First Steps (released July 25, 2025) reboot‑reintroduces Marvel’s First Family in an alternate, retro‑futuristic Earth‑828 inspired by 1960s aesthetics. Directed by Matt Shakman, the film skips the traditional origin story, presenting Reed Richards and Sue Storm as established heroes already expecting their first child, Franklin. Their team—including Ben Grimm (The Thing) and Johnny Storm (Human Torch)—must suddenly confront the cosmic threat of Galactus and his herald, Silver Surfer (Shalla‑Bal). The story mainly revolves around the family’s struggle to protect Earth by constructing massive teleportation “bridges” that could relocate the entire planet—and ultimately leveraging Franklin’s nascent reality‑warping powers to outwit the world‑devouring deity . Critics have praised the film’s vibrant production design, nostalgic tone, and strong performances—especially by Pedro Pascal (Reed), Vanessa Kirby (Sue), Ebon Moss‑Bachrach (Ben), and Joseph Quinn (Johnny)—but many fault it for its more serious, exposition‑heavy storytelling and minimal character arc development. Reviews note that humor and emotional nuance—hallmarks of previous Fantastic Four adaptations—are largely absent, creating a more somber, streamlined tone. Still, the retro‑futuristic visuals, Michael Giacchino’s score, and a hopeful message about family and unity elevate it as a “promising revitalization” of the franchise, even if it feels tonally uneven at times.
