
Age: 64
male
Iain Alan Sutherland Glen (born 24 June 1961) is a Scottish actor. Glen is best known for his roles as Dr. Alexander Isaacs/Tyrant in three films of the Resident Evil film series (2004–2016) and as Ser Jorah Mormont in the HBO fantasy television series Game of Thrones (2011–2019). Other notable roles include John Hanning Speke in Mountains of the Moon (1990), Larry Winters in Silent Scream (1990) for which he won the Silver Bear for Best Actor from the Berlin International Film Festival, Manfred Powell in Lara Croft: Tomb Raider (2001), Brother John in Song for a Raggy Boy (2003), the title role in Jack Taylor (2010–2016), Sir Richard Carlisle in Downton Abbey (2011), James Willett in Eye in the Sky (2015), Bruce Wayne in Titans (2019–2021), Magnus MacMillan in The Rig (2023–present), and Dr. Pete Nichols in Silo (2023–present). Description above from the Wikipedia article about Iain Glen, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Macbeth, a disillusioned war veteran, receives a cryptic prophecy from a trio of mysterious witches that he will one day become the prime minister. Encouraged by his ambitious and manipulative wife, Mrs. Macbeth, Macbeth succumbs to his darkest urges and embarks on a bloody quest for power. Using a blend of contemporary and medieval aesthetics, Luhrmann masterfully creates a world filled with towering skyscrapers, neon-lit streets, and gritty urban decay. The setting emphasizes the stark contrast between the opulence of the ruling class and the desperation of those clamoring for power. As Macbeth ascends the corporate ladder, he becomes increasingly consumed by his thirst for power, his mind tormented by haunting visions and guilt. The film explores the psychological descent of the protagonist, portraying his inner struggle as a visceral and visually striking battle between light and darkness. Mrs. Macbeth, portrayed as a cunning and seductive femme fatale, pushes Macbeth to commit heinous acts to secure their place at the top. The couple's relationship evolves into a twisted dance of manipulation and deceit, with Mrs. Macbeth slowly succumbing to her own demons.
