Died at 36
female
Hayden Lesley Panettiere (/ˌpænətiˈɛər/ PAN-ə-tee-AIR;[1] August 21, 1989 – August 16, 2026) was an American actress and singer. She starred as Claire Bennet on the NBC superhero series Heroes (2006–2010), Kirby Reed in the slasher horror franchise Scream (2011–2023), and Juliette Barnes in the ABC/CMT musical drama series Nashville (2012–2018). She received two nominations for acting in Nashville for a Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film. Panettiere first appeared on-screen in a commercial in 1990 when she was 11 months old. Her full-time acting career began in 1994 when she played Sarah Roberts in the ABC soap opera series One Life to Live until 1997. She played Lizzie Spaulding in the CBS soap opera series Guiding Light from 1996 to 2000. For her role as Princess Dot in the Pixar film A Bug's Life (1998), she was nominated for a Young Artist Award and a Grammy Award, making her the fifth-youngest nominee for a Grammy.[citation needed] Panettiere starred in the Lifetime film If You Believe (1999), the live-action animated drama adventure film Dinosaur and the biographical football film Remember the Titans (both 2000), the final season of the Fox legal comedy-drama series Ally McBeal (2002), the comedy-drama film Raising Helen and the Disney Channel film Tiger Cruise (both 2004), the horse racing comedy film Racing Stripes and the figure-skating drama film Ice Princess (both 2005), the teen cheerleading film Bring It On: All or Nothing (2006), the romantic comedy film I Love You, Beth Cooper (2009), the true crime drama film Amanda Knox: Murder on Trial in Italy (2011), and the drama Custody (2016). She voiced Kairi and Xion in the video game series Kingdom Hearts (2002–2017), and portrayed Samantha "Sam" Giddings in the video game Until Dawn (2015).
Paris-born Vivienne Lebrun longs for a different life. One where she doesn’t attend college three thousand miles away from her family in New York City. A life where she is sophisticated and has kissed many men, both standing up and sitting down, like the lovers in Rodin’s sculpture. In that life, she would skip her final year of school and start writing books and working at a New York bakery. And her French mother wouldn’t (possibly, maybe) be dealing with the return of cancer. In her real life, all Vivienne can do is obsessively catalog her longings in her journal. But as a new semester begins, she enrolls in a poetry class taught by Peter Breznik, a handsome Yugoslavian graduate instructor. In a heartbeat, she’s taken by his spell-casting blue eyes, his almost smile, and his romantically worn canvas satchel. Soon—though Vivienne suspects she’s stumbled into a dream—Peter is talking to her in chance library encounters about poems, future plans, and his violently unraveling country. And Vivienne is not just writing her fantasies, but wondering if she might (possibly, maybe) be singled out by the universe to live one. Until struggles intensify for both their families—Vivienne’s mother’s health, Peter’s brother’s recklessness in war-torn Croatia—and they are pulled by demands beyond their control. Through distance and heartbreak, can Vivienne and Peter find one another and choose the life they had dreamed of together?
