Age: 45
male
Nicholas Britell (born October 17, 1980) is an American film and television composer. He has received numerous accolades, including an Emmy Award, as well as nominations for three Academy Awards and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins's Moonlight (2016), If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), The King (2019), Cruella (2021), and She Said (2022). The HBO original series Succession (2018–2023) marked Britell's entry into television. Britell scored all four seasons, earning the Emmy Award for Outstanding Original Main Title Theme Music in 2019. His scores for the second, third, and fourth seasons of Succession each earned the Primetime Emmy Award for Outstanding Music Composition for a Series nominations in 2020, 2022, and 2023. His score for The Underground Railroad was nominated for the Primetime Emmy Award for Outstanding Music Composition for a Limited or Anthology Series, Movie or Special in 2021. His works, as described by Soraya McDonald of Film Comment, "seem to organically straddle accessibility and sophistication in a way that goes beyond the typical programming of a big-city pops orchestra...That might have something to do with the fact that Britell has long had one foot in the world of hip-hop and another in the world of classical music." Description above from the Wikipedia article Nicholas Britell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In New York City, a 17-year-old Sarah Mercer is abducted by a ruthless gang and taken to a hidden club, where she meets their enigmatic and dangerous boss Vincent "Vince" Delacroix (played by Mike Myers). Despite her pleas that she doesn’t belong there, he coldly informs her that none of the other captive girls did either. He has brought them all here to dance—to entertain, to profit him. This place is their home now, whether they accept it or not. Meanwhile, the girl’s desperate parents turn to the NYPD, but there’s a chilling obstacle: the club’s location has never been tracked, existing like a ghost in the city’s underbelly. To rescue her, the authorities must rely on unconventional methods—detecting patterns, finding someone who knows the ins and outs of the underground world. As the investigation unfolds, the film keeps its focus on the boss and the girl, building tension as she struggles against his control, searching for a way out.
