Age: 60
male
Gary Anthony Williams (born March 14, 1966) is an American actor, comedian and filmmaker. He has voiced the character Uncle Ruckus on The Boondocks, General Horace Warfield in StarCraft II: Wings of Liberty and Dr. Richard Tygan in XCOM 2, portraying Anton "Bebop" Zeck in Teenage Mutant Ninja Turtles: Out of the Shadows. He has also appeared on shows such as Boston Legal, I'm Sorry, Malcolm in the Middle and The Soul Man. He was a cast member on the sketch comedy series Blue Collar TV and currently the improv comedy series Whose Line Is It Anyway?. He is also a co-founder of the L.A. Comedy Shorts Film Festival. Description above from the Wikipedia article Gary Anthony Williams, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Gary Anthony Williams
Simple Savior
for Simple Savior in Coonskin
Suggested by Jeshisthename
Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.
