Age: 48
male
Daniel Pemberton (born 3 November 1977) is an English composer and songwriter. Primarily working in film, television, and video games, he is best known for composing the scores for the film Spider-Man: Into the Spider-Verse and its sequel Spider-Man: Across the Spider-Verse, the latter of which earned him several award nominations, including at the Golden Globes and the Critics' Choice Awards. He has also received recognition for his work in films such as Steve Jobs, Motherless Brooklyn, The Trial of the Chicago 7, Being the Ricardos, The Rescue, and the LittleBigPlanet series of games. For The Trial of the Chicago 7, Pemberton was nominated for the Ivor Novello Award for Best Original Film Score and Academy Award for Best Original Song alongside Celeste for the song "Hear My Voice". Description above from the Wikipedia article Daniel Pemberton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In the distant future of the year 2864, several colonization ships head to a planet on the edge of the galaxy: Pandora. The colonists are drawn there in search of a better life as well as vast mineral resources that are said to be on the planet, free for the taking. Some time after settling, the colonists discover that the planet offers little aside from decrepit alien ruins. When the companies mining the planet leave, they let loose the criminals they had employed as forced labor and left any other colonists there. Some of the settlers seek to get rich quick by discovering alien technology, most others are just trying to survive. After seven Earth years, the planet's slow orbit brings a transition from winter to spring, and many dangerous, horrifying creatures begin to emerge from hibernation, making Pandora even more dangerous. A beacon of hope for the remaining colonists emerges in the form of a mysterious alien Vault carved in the side of a mountain. This Vault is said to contain vast stores of alien technology and secrets. The only problem is that the people who discovered the Vault were completely wiped out by some sort of protective force, with the only evidence of their discovery being a scattered radio transmission, proclaiming the Vault's majesty, but not its location. The stories of this wealth has sparked renewed interest in Pandora, and corporations and treasure hunters have begun to return to the wastelands to try and claim the treasures of the Vault.
