Age: 72
male
William Pullman (born December 17, 1953) is an American actor. After graduating with a Master of Fine Arts degree in theatre, he was an adjunct professor at Montana State University before deciding to pursue acting. Pullman made his film debut in Ruthless People (1986), and starred in Spaceballs (1987), The Accidental Tourist and The Serpent and the Rainbow (both 1988), Newsies (1992), Sleepless in Seattle (1993), Wyatt Earp (1994), While You Were Sleeping (1995), Independence Day (1996), Lost Highway (1997), and Lake Placid (1999). He also voiced Captain Joseph Korso in Titan A.E. (2000). He has also appeared frequently on television, usually in TV films. Since the 21st century began, Pullman has also acted in miniseries and regular series such as Torchwood (2011), playing starring roles in 1600 Penn (2012–13) and The Sinner (2017–2021). In 2021, he had a recurring role in the miniseries Halston. Pullman also has a long stage-acting career. He has appeared on Broadway several times, including in Edward Albee's The Goat or Who Is Sylvia? (2002).
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
