
Age: 69
male
Christopher Young (born April 28, 1958) is an American composer and orchestrator of film and television scores. Many of his compositions are for horror and thriller films, including Hellraiser, Species, Urban Legend, The Grudge, The Exorcism of Emily Rose, Drag Me to Hell, Sinister, Deliver Us from Evil, and Pet Sematary. Other works include Rapid Fire, Copycat, Set It Off, Entrapment, The Hurricane, Swordfish, Ghost Rider, Spider-Man 3, and The Shipping News, for which he was nominated for a Golden Globe Award for Best Original Score. Young was honoured with the prestigious Richard Kirk Award at the 2008 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music. Young was born in Red Bank, New Jersey. He graduated from Hampshire College in Massachusetts with a Bachelor of Arts in music and then completed his postgraduate work at the University of North Texas. In 1980, he moved to Los Angeles. Originally a jazz drummer, when he heard some of Bernard Herrmann's works, he decided to become a film composer. He studied at the UCLA Film School under David Raksin. He teaches at the Thornton School of Music of the University of Southern California. Description above from the Wikipedia article Christopher Young, licensed under CC-BY-SA, full list of contributors on Wikipedia.

What if Tim Burton never directed Batman 1989 and was in development until the late 90s. The plot would be the same as the 1989 movie minus Bob the Goon and Felicia Hunt being one character, that being Harley Quinn, who was a popular character from The Animated Series. (Maybe you could say the Animated Series came out before the Batman movie). Keep in mind, this isn't the fantasy Burton world, this would be more Se7en meets The Bone Collector, hense the director of Bone Collector. And maybe a bit of End of Days. Thst grimy, dirty, gritty, rainy urban New Yorkish style and tone. And the script a bit closer to the original Sam Hamm screenplay. More character driven and play up different accept rather than a studio interfered version in 1989. Not Christopher Nolen realistic but more The Dark Knight Returns style, a bit comic book-ish but still grounded.


