Age: 40
female
Anna Cooke Kendrick (born August 9, 1985) is an American actress. Known for playing upbeat and endearing characters in comedies and musicals, her accolades include nominations for an Academy Award, a Primetime Emmy Award, and a Tony Award. Kendrick's first starring role was in the 1998 Broadway musical High Society, for which she earned a Tony Award nomination for Best Featured Actress in a Musical. She made her film debut in the musical comedy Camp (2003) and had a supporting role in The Twilight Saga (2008–2011). She achieved wider recognition for her role in the comedy-drama film Up in the Air (2009), which earned her an Academy Award nomination for Best Supporting Actress, as well as for her starring role in the Pitch Perfect film series (2012–2017). She starred in the comedies Scott Pilgrim vs. the World (2010) and 50/50 (2011), the crime drama End of Watch (2012), the musical Into the Woods (2014), the thrillers The Accountant (2016) and A Simple Favor (2018), and the fantasy comedy Noelle (2019). She has voiced the lead role in the animated musicals of the Trolls film franchise since 2016. She starred in the short-form comedy series Dummy (2020), for which she received a nomination for a Primetime Emmy Award for Outstanding Actress. She made her directorial debut with the self-starring thriller Woman of the Hour (2023). Kendrick sang on soundtracks for some of her films, including the single "Cups" in 2012, and at events such as the 2013 Kennedy Centre Honours and the 2015 Academy Awards. Her memoir, Scrappy Little Nobody, was published in 2016. Description above from the Wikipedia article Anna Kendrick, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anna Kendrick
Bebe Benzenheimer
for Bebe Benzenheimer in A Chorus Line Live!
Suggested by teclastudios
A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director and choreographer, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.” Based on real Broadway dancers’ stories, as told to fellow dancer and choreographer Michael Bennett, A Chorus Line is funny, heartbreaking, and refreshingly honest.
